‘chaman me rehkar virana mera dil(deedar) and ‘chod baabul ka ghar (baabul) with ace N auashad sketch a different picture for singer.Itis true shamshad begum did most of her numbers with Naushad and OP ayback for twenty three Op naiyar musical scores suggest a point that singer worked mostly with Naushad and Opnaiyar saheb. Naushad-shamshad begum made to Naushad as fortunate substitute for Johrabai Ambalewali.He gave her achance to sing for Dilip Kumar-Nargis starrer-Mela.milestone in indian cinema,the film was major success.numners like-‘dharti ko aakash pukare and ‘mohan ki muralia baje sun thes jia pe lage’ are signposts of singer’s contribution to film.for reson unknown Naushad those days kept Lata mangeshlkar at bay.he went for other vioces.Shmashad begum,Johrabai Ambalewali and Uma devi Tuntun were his choices.Mehboob’s Anokhi Ada relesed with no Lata Mangeshkar.Uma Devi and shamshad begum were main playback for the film-‘aaj kahan nazr takrayee’ ‘nazar mil gayee kiski nazar se’ are memorabl shamshad begum nunbres from Anokhi Ada.N aushad innovated shamshad voice as contrast to Lata M nageshkar.film ‘deedar’ marked the beginning of trend-‘bachpan k din bhul na dena-duet from film had shmashad bregum as MALE voice.for Naushad shamshad begm became anecessity.a Place for shamshad numere in many Nuashad musical scores confirms the fact.London based Naushad library has –chandni na ke aayee payar o sajna. 1n 1943 ace director Mehboob called shamshad to sing –daroga ji kaun kasur par for his film Takdirġ947 partition-Khazanchi crew DM Pancholi,actress R amola and Shamshad begum shifted their base to Bombay.at Bombay shamshad ji saw suraiya and sensational Lata Mangeshkar.SD burman identified Folk Potentila in siner and offerd shmashad begum to sing folk touch numbers for his film –Shabnam- ‘bajre ke khet me pehli baar mulaqat and ‘tui mahal me rahne wali main kutiyon me. A Panchali Arts production with Ghulam Haider musical score,Khazanchi made to box-office with numbers-sawan ke nazare,mann dheere dheere rona,ek kali nazon se pali.four to five films followed Khazanchi.incrediblE Playback with quality music made the films HIT. at 15 in 1939 she enterd into marital knot with Barrister GanpatlalBreak in films-shashad begum’s first break as playback Singer was-Yamla Jaat (1940)/punjabi films Yamla Jaat and Chaudhari(1941) were filmdom signatures of singer.Lahore based Khazanchi(1941) is shamshad begum’s Hindi debut. Ghulam Haider-Renowned musicain Ghulam haider, regular artist of GINOPHONE mentored shamshad ji to singing sensetion.haider saab later migrated Pakistanġ937 lahore-1937 shamsahd begum became aregular vioce of Lahore Studios. an album content the punjabi number earned grat name for adolescent Shamshad riding on huge response Ginophone offerd shamshad 200 songs in single year. at studio the relatively new but different vioce became instant Hit,punjabi song ‘hath jod’ offered and recorded.
at 13 uncle guided her Ginophone studios.
And ghulam fatima,the grand senior of indian playback singing-Shamshad Begum was orn and brought up in atraditional amritsar family.she made a mark much earliar to Lata Mangeshkar and Suriaya.“passion has long life” the singer proved it right with fortunes of support in family and in laws gramophone at amritsar house encouraged her singing credentials.those were the days ,time passed sitting near the unique instrument repeating lines enthusiasticallyt.revisng songs and marsias based a future prodigal singing star in shmshad.the talent didn’t went unnoticed.atrue art lover chacha noticed her skils with support of encouragement.passionate skills made shamshadji an identifying voice of masses.then achild only her voice struck symphony of impression.
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